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So, what was once a niche, indie corner of entertainment has become a global phenomenon.
#THE KILLING DANISH SEASON 4 SERIES#
Based on a Danish television series called Forbrydelsen, The Killing is a gripping, atmospheric and starkly realistic mystery that eschews the usual. Viewing 10 posts - 1 through 10 (of 10 total).
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It really should be made clear that this is not a Nordic noir. No where near up to the standard of the Swedish series. There has obviously been an American version for which this is the final series. Such a horribly written final season of an otherwise average series. Published: Friday, 30th August 2019 at 1:56 pm. This topic has 9 replies, 4 voices, and was last updated 10 years ago by souldrummer. If you followed the Nordic noir Killing season 1-3 then do not buy this DVD. Then the world became even more hooked on Nordic noir following a trio of Scandi exports – also in 2011, when The Killing was remade in the US starring Mireille Enos and Joel Kinnaman Borgen and The Bridge. Audience Reviews for The Killing: Season 4.
#THE KILLING DANISH SEASON 4 TV#
Our obsession with the gloomy, gritty genre started back with Swedish author Stieg Larsson's Millennium series, of which The Girl With The Dragon Tattoo was the first instalment, later made into a 2011 blockbuster starring Rooney Mara and Daniel Craig. Spiral - Season 1 (Subtitled) The discovery of a young womans badly beaten body on a rubbish tip in Paris sets in motion a police investigation that unravels a trail of corruption from the dark worlds of prostitution and drugs, to the halls of government, business, and the judiciary itself. Based partly on a popular Danish TV series, The Killing is a moody, character-driven detective procedural that weaves a murder mystery through a full. So, why are we all obsessed with Scandinavian crime series? The genre has gained an international following for its dark, suspenseful, sinister, sometimes complex, always enthralling stories. During season one of The Killing Detective Inspector Jan Meyer was a character that the audience could take to its heart.